16 printemps / Spring Blossom
Suzanne (Suzanne Lindon) es una chica de 16 años, retraída y tranquila, que vive armoniosamente con su hermana y sus padres en un departamento parisino. En sus idas y vueltas al colegio comienza a observar a Raphaël (Arnaud Valois), un apuesto actor de teatro veinte años mayo que ella que frecuenta un bar y ensaya y actúa en un teatro de la zona. Finalmente se producirá un encuentro que dará pie a un romance entre ambos.
Aquí les dejo un reportaje a la realizadora (mejor verlo después de la película, tal vez), que revela una gran cultura cinéfila e ideas muy claras.
Mención Especial Premio SIGNIS 35 del Festival de Mar del Plata
....................................................................................................................................................................
A romance where spontaneity and sweetness prevail
Suzanne (Suzanne Lindon) is a 16-year-old girl, withdrawn
and calm, who lives harmoniously with her sister and her parents in a Parisian
apartment. In her comings and goings to school she begins to observe Raphaël
(Arnaud Valois), a handsome theater actor twenty years May that she frequents a
bar and rehearses and performs in a theater in the area. Finally there will be
a meeting that will lead to a romance between the two.
The protagonist, daughter of the renowned actors Vincente
Lindon and Sandrine Kiberlain (she notably played Simone de Beauvoir in the
film Violette) is also the director and screenwriter (she directed this film at
age 20 and wrote the script at age 15) of this delicate story of initiation and
love between two sentient beings, lonely and bored with their environments and
activities.
Despite being a problematic subject, Lindon clearly proposes
from her point of view a development where spontaneity and sweetness prevail
and surprises with the use of some original scenes that could well be taken as
sublimations or metaphors.
16 printemps is a film that looks to poetry but is never
naive (and neither is its protagonist) and that is committed to running away
from the vision very in vogue in current fiction of adolescence as a territory
of conflict, suffering, excess and abuses.
Here she left a report to the director (better to see it
after the film, perhaps), which reveals a great cinephile culture and very
clear ideas.
Special Mention SIGNIS 35 Award of the Mar del Plata
Festival
Comentarios
Publicar un comentario
Mensajes sujetos a moderación